My work focuses on the ephemeral, fragility, and power within nature. I am intrigued by the duality of opposition – active and static, continuity and abeyance, transitory and eternal. Formal elements emphasize layered contours of organic forms, fluidity of pigment, and gestural mark-making. These pieces become suspended fragments of time, leaving traces of nature’s vitality. 

I’ve always been greatly influenced by cyanotypes, but I also greatly enjoy light, shadow, and movement. Within my artistic processes, I work in layers and constantly rotate or move the canvas. This allows me to have a new perspective each time I revisit the painting, while also working with a number of mediums. If I ever feel overwhelmed or “stuck” on a painting, I will take apart the painting and reapply it to a new piece, or even visit the idea of a sculptural painting. 

I just keep meeting new people! Everyone has a different perspective on life, what art is, and how to view it. I really enjoy those conversations. 

Everyone is creative in some way, shape or form. I’ve always believed that. Whether you’re a painter, a poet, a chef, a musician, an engineer… there is always some sort of creative approach to getting to that “end point”. I value that each community has its own artistic outcome because of who is a part of that community. 

How does your artistic approach contribute to your community?

I appreciate that I can always step away from a “problem” to re-evaluate and refocus. 

Our weekly Art Circle series profiles artists throughout the community and is sponsored in part by Lafayette Visitor Enterprise Fund managed by Lafayette Travel